By Gordon Rugg
In previous articles, I discussed how humans parse what they see, so as to make sense of it, in just the same way that they parse the words that they hear. In both types of parsing, ambiguities can arise; in both types of parsing, those ambiguities can act as a source of interest to the person doing the parsing.
This article looks at ambiguities in parsing landscapes, and at some speculative overlaps with art. In a later article, I’ll discuss how people parse landscapes, with particular regard to the practical implications for site design and for urban planning.
Image from wikimedia: 800px-Salar_de_Uyuni,_Bolivia_2.jpg